[Honey's Anime Interview] Steve Conte: Composer and Vocalist (Cowboy Bebop, Ghost in the Shell, Wolf's Rain)

Steve Conte has had quite the career. He’s a New York City-based singer and guitarist whose resume includes playing with the New York Dolls, The Michael Monroe Band, his own band, and too many other acts to name. He also writes and produces his own songs, and even after over 30 years of rocking, he still makes his punk haircut look good.

Even if you aren’t into rock music, you’ll likely recognize his voice from songs like “Call Me, Call Me” and “Rain” from Cowboy Bebop, “Living Inside the Shell” from Ghost in the Shell: Stand Alone Complex, or the opening “Stray” from Wolf’s Rain. He’s worked with Japanese composer Yoko Kanno since the ‘90s and has helped create some of the most iconic music in anime history. We interviewed him over the phone after his summer European tour and his appearance at J1-Con in Atlantic City, NJ. Here’s what we found out!

Top 10 Characters Who Wield the Power of Darkness

Fear of the darkness is something deeply ingrained in us as humans – what waits in the shadows could very well kill us without even having to defend itself. So in the pantheon of superpowers, it’s no surprise that plenty of fictional characters have mastery over the terrifying element of darkness. And over the years, anime has shown us far more creative applications for shadows and darkness than we could ever think of.

Top 10 Misunderstandings in Anime

It’s impossible to truly tell what’s going on in someone else’s mind. No matter how well you think you know someone, you’re bound to misunderstand them at some point. And just like reality, anime has its fair share of misunderstandings between characters. But while your slip-ups in real life may just cause a small argument or a missed appointment, improper communication in anime has been known to destroy friendships, ruin complex political strategies, and even bring about the end of the world.

Japan's View of America in Banana Fish

Summer 2018’s Banana Fish is a down-and-dirty gangster anime, based on the 1985 manga of the same name. It’s set in the underground gang world of New York City and follows the exploits of young punk Ash Lynx as seen through the eyes of Eiji, a Japanese rookie journalist who falls into his messy life.

It’s pretty rare for an anime to show a complex view of America, rather than just having one or two stereotypical foreigners show up as background characters. But here, they’re the main characters, with their own struggles and relationships and goals. So let’s take this opportunity to explore how Banana Fish portrays Americans from a Japanese point of view.

Adapting Old Manga for the Present Day

Stories can be timeless, but unfortunately, the worlds in which they take place are not. Technology moves forward, clothing styles change, and culture shifts over the years. So, when adapting a manga from decades ago, studios need to think carefully about what they need to change to make it appeal to its new modern audience.

Today, we’ll be taking a look at several anime adaptations of manga from the ‘70s through the ‘90s. What was updated for modern times? What stayed the same? And how successful was it overall? Join us as we investigate how to adapt old manga for the present day!

The Music of Devilman: Crybaby (Mary Lee Loves Devilman: Part 8)

The music style of an anime can be one of the most important factors in how enjoyable, impactful, and memorable a show is for its viewers. We all remember Cowboy Bebop and Hellsing’s use of jazz, how JoJo’s Bizarre Adventure integrated classic rock into every aspect of its world, and Initial D’s hilarious obsession with eurobeat that essentially turned the entire show into a meme. Expertly crafted soundtracks like the Fullmetal Alchemist: Brotherhood OST are wonderful, but it’s even more impressive when bold music choices like these (which wouldn’t have been anyone’s first thought when scoring these shows) pay off in spectacular ways.